Depicting women as unnatural entities, voiceless and agent less, to their male counterparts destroys any shot of redemption for the fairer sex, so Conrad aligns all the women in the narrative with unreality to evolve the importance of separate realms. By conquering ignorant ideas, such as Marlows aunt, or exotic appearances, such as Kurtzs mistress, the women are discounted as impractical, or if they hold some merit, they are viewed as eerie. Either way, they are do of none of the material found in the world of men, and so disaster befalls the men that dare breach the boundary in the midst of the worlds.

The first women that Conrads main character, Marlow, recounts are the two knitters at the political party office in Brussels. The younger one greets the men who seed in for examinations before they leave for the unknown, African wilderness, creating the illusion of a comfortable environment in what is otherwise an unsettling experience (Conrad 8). The honest-to-goodness knitter does not create such a welcoming movie but instead makes a haunting impression on Marlow as only an uncanny and fateful person can. flavor up from her knitting only to scrutinize the cheery and fatuous faces with unconcerned old eyes, she unnerves Marlow with her glance.
Such a troubling resultant leaves the reader to wonder if these two women are really of this world. Of course,...If you indigence to get a full essay, order it on our website: Ordercustompaper.com
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