The Victorian era was one of great change in not only the arts, but also society at large. Brittan saw itself as the greatest, most advanced nation of all, leading(a) the world in industrialisation. Despite this, a high character of the British population was very poor and this was an ongoing hearty issue. These people were never seen as worthy subjects of the arts, however in the 1840s painter Richard Redgrave began to draw on their lives as a design of social criticism and to call attention to the struggles of the poor and suppress . He painted a series of such paintings with point reference to another social issue, the woman question . A leading ensample of such Redgrave works, and more broadly Victorian art, is The Sempstress of 1844 ( prototypal version) which this essay bequeath examine and analyze in terms of its symbolism, style and significance.
The Sempstress was first shown at the Royal Academy in 1844 and depicts a early girl sewing late into the night in her brute garret looking upwards to the heavens like a saint . It is a reflection of the social reality of the British working woman during the 1840s and 50s .
During this period, many women from the lower middle, middle and redden the upper classes were forced into the workforce due to an unequal charge up ratio of three women to every two men . In addition, pressure was put on married women to work, as the reward for men in unskilled and semi skilled crowd were often too low to support the family alone . These women in the main moved into occupations that were seen to be naturally feminine such as national service or needlework. Needlework was preferable to domestic service as one retained her independence and it was easily...
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